Book 3:
The Perfect
Example
I used to write toward the
dream of “permanence.” I intended my poems to speak in
“universal” terms so that unimaginable audiences, looking at the
thousandth translation, 100 years post-print and galaxies away, could
relate to the spirit of my writing. But I realized that languages'
open-source words themselves already contained that spirit, and what
I had been writing was just an echo of the dictionary: combinations
of the pre-existant; derivative, redundant, bereft of me.
The beauty of poetry is not
primarily in the parts that “translate well," but in the parts
that stale: that which resonates in its time and place with a local
life and – like all things truly alive – dies as that time
breezes past.
Some hold up poetry as the
pinnacle of language-in-use. So the question follows: what is that
use, what is it doing, what is its effect? I thought long and hard on
this (neither an act nor a phrase that I coined), and concluded that
poetry localizes the universal: it points out where flesh is
channeling some spirit; it mortalizes the everlasting. Poetry finds
an old idea alive in some creature for an intense and passing moment.
This is not a lofty goal, but a lowly one; not an axiom, but a
parable; not a thought, but a feeling.
The use of writing and
speaking, I think, is not to contain a Concept (that is the duty of
the words themselves) but to share a moment – green and brown,
living and rotting, subtle and heady (communication is the
stalk-whiskered, root-webbed scalp of the soil horizon).
And the pinnacle of writing
and speaking, immanent and perspectival as it may be, is to give a
perfect Example: visible from a few shifting angles; tangible with
the right tempered touch; dead before we hear it speak, but alive
again at the moment we perk our ears to listen; a ghost that seems to
smell and taste like earth, but really ever only primes us to smell
and taste the earth for ourselves.
Like our anchored &
radiating hearts, poetry is boundless in its simple limits, true to
its nature, a perfect example: no more, no less.