“Give me your hand,”
she said; I thought
she was a palm reader. But
no, she'd fallen into a stale
Summer job. Still wearing
a plastic name-tag from
that movie theater.
“Your hand,” she held out
her own, waiting firmly.
So I added my palm to her
finger curves. Then she spun
away, taking back
her face (but keeping
my hand in hers).
So I found myself
with that one arm kidnapped,
growing warm on her
waist. “And the other one,”
she said, reaching over
her shoulder, expectantly
returning half her face.
So I gave up my last palm;
she placed it on her collar,
drew it down along
her sternum, to rest on her ribs.
At this point, I spoke up:
“What's your name?”
She whispered “This,”
her short-ribs humming: “I watch
couples, day on day, sitting down
in the same felt-walled abyss,
staring toward projector lights.
But not really, right? They
all go in like this: for this.
Just for this.” An hour like them, we stayed.
Finally, I broke the lock, “I have to
go. But what's your name?”
“Nope,” she held.
“First?” “No.”
“Middle?” “...Just,” she breathed.
“Your last name, then. It's—?”
“This.”
I laughed,
but she didn't.
Serene.
Still I hear her:
“Nope.
No.
Just this.”