Tuesday, June 26, 2012

If you're on the fence ...




       If you're on the fence:
         He's not worth your hope
             And everyone knows it
                  (Or he totally is
                     And a few people do);
                He's a heart-scoring scalpel
                 That he's named “confidence”
                    (Or he turns blind and dizzy
                             Moving in to your view).

                   If you're at the fence:
                You have too much trust
              In the soul-depth of skin
           (Or you want to look past,
          But that film's all you see);
        You want to be a part of
      What he pretends he is
  (Or you haven't seen his best
  There, waiting to be).

If you're in the fence:
   It's yours – and you tied it
      To make your lawn look square
         (Or to bring some shade
            That, sun-lit, looks like a hole);
                 You need to jump out
                 For the dim or the bright
                      (Or spread, like fine roots,
                                Through the line you've poled).

1 comment:

  1. I like how this poem takes the overused metaphor of being "on the fence" about something and re-words the phrase slightly (changing "on" to "at" and "in"). What seems like such a minor change in wording majorly changes the meaning of the metaphor. I think about it literally: if you're on the fence, you can see both sides--if you're AT, however, you can't see anything: you're facing the fence head-on as it's overshadowing you. It's this change in each stanza where I really feel a tone shift.

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