Looking at you, still.
Don't know what to make of it:
I used to shake
for the sake of it,
thinking of you. I will
Never forget the fight you laid
Out, which made me choose
what I only half-knew
I conceived: I came
To love, for you challenged me.
When the road lay in peace,
I cared my least, for every
length came delicately
Safe- and free-seeming.
Your teeth set truth
in this, my eyelid skin,
my womb-float dreaming.
*
What I am now, and here, was first
Against your press,
and then, God bless it, for
my kin – for better, or worse.
You had me thinking up
To the point of Still:
faces on hills and all not
turning toward my voice. “What
Friend was I, you corpses!?”
You had me saying
to the gray beyond,
where the pulse divorces,
Where the pressure elides
Its intended channel.
Your hands drove me,
standing in line, bold, beside
Men (who 'til then I'd never
Tried to trace), before
a halldoor's bell, a child's song
that our thorns kept clever
And full-flushed, playing
On these open hills.
My arms – quilts inside – grew
their snarlingest nails baying
Through your challenge, near these
Soft and precious
sounds, trenching footholds
round what I dreamed I'd miss –
Only because you came.
And now you lie
pumpless, dying (un-
intended) this field, same
As I may: gladly.
“Who was waiting
to soft-sing, warm inside
your arm-branched chest, my Foe?”
(I miss you somewhat badly.)
* not often that I get to take a picture of the scene that spurred the poem: I was out for a run in Iowa and came across this (somewhat elegantly sprawled) roadkill cat. As I was contemplating it's aesthetic, two dogs (a bigger lab and a smaller terrier) came out into the road to say hello. The white lab then went about his business, but the terrier wandered over to the cat - more than just sniffing, he looked a little saddened. And when I came back near the cat with my camera, he started barking at me.
ReplyDeleteAnd that got me thinking about why a warrior might insist on respect over the corpse of his natural enemy.
(the spacing in this one is patterned, rather than aesthetic, this time: the gradual cyclical progression forward like the protagonist's mindset. 0 tabs / 1 tab / 2 tabs / 0 tabs for each stanza line, adding one tab to each progressive stanza, so that by the end, it's 8 tabs / 9 tabs / 10 tabs / 8 tabs. Then 12 tabs for the final realization line.)