Thursday, July 31, 2014

(( BOOK 1.5: A Year of July)) -- Part 2


“Color”
      – 27 January 2011

In the life of winter – that is white life, cold life –
watching clouds glow, I thought back on a carrot.
The combination became like summer. Like
cold Tang in a hot hand. Common-but-surreal
was once daily being; nothing beyond.
Once, in the life of winter,
dreams had no reason
to think of anything
but orange: I once
prayed to, and
not over,
what
I ate:

Once
In the
Crack on
The side of
A dry carrot, I
Found a small dark
Dirt stowed away.
Its darkness made it great, and
Stayed my mouth for that instant.
Had the carrot legs, she might have wired
In the ground again. But now she is in the sky.





“Girls as Roommates”
      – 12 September 2011

Girls as roommates will de-claw you,
Dramatize your world and never
Realize your silence is not judging them
(For women speak with their silences, men).

Women laugh to prove communion;
Cook, then sing, then sigh in union;
Speak their minds like running drains;
Glom like black ants under rain.

They dream of boys, then laugh at men
All hungry-eyed (yet dress for them).
They love, as do they mourn, for years.
They use each others' eyes as mirrors.

They talk about the absentees:
As long as she's away, that breeze
Blows hard and honest – but stalls apace
When heels forecall her coming face.

Of course, they love each other, too.
And eat, sleep, breathe as brothers do.
But beware, their heft's like wind, not stone (
You may not be struck, but you will be blown).





“I Used to Think that Way”
     – 26 September 2011

“I used to think that way,”
           I hear an old man say
           while his boys prepare for bed,
           water hissing from the shower head
           and dogs (relegated to a dirt porch) moaning.

           He slides unfilled boxes
                      (now renting, through owning)
           for the sake of those boys
                      (their friends a town over)
           and the sake of his time
                      (daily distance to cover),
           his mother's pastels on the walls
                      (her brain fading)
           and sketches unframed in the halls
                      (boys' creating)
           and black-and-white photos
                      (from a life he'd had prior
                                 of climbing through switchbacks
                                 with lenses, on a choir
                                 of felled cones, with pine needles
                                            skimming his face—
                                 his eyes sharp for beauty
                                            {drinking light, framing space}
                                 and Ansel's panning thumbs
                                 {whose he knew} saying 'here'—
                                            as he dropped down the wood legs
                                                       while clouds thinned and cleared
                                                                                        {Kl-ch*}).


I'd said, “Life is my currency: consciousness, time –
I spend it; I live. Only presence is mine.”







“My Terminable Will”
(“'In The Waste Land, I wasn't even bothering whether I understood what I was saying,' Eliot told an interviewer.” NEW YORKER, 19 September.)
      – 2 October 2011

Some day all the words in my head will stop:
there will be no more snow on the mountain.
The last flake will add to the last rolling drop:
so will end the white head of that fountain.

As the last trickle rolls down habitual ruts
(which seem quizzically pointless when dry),
Moss cedes to grass in the shade of those cuts,
drinking air from a never-mine sky.

And the shore edge will round out – the vale, fill
with brush (where lips once called currents to be).
And elsewhere, the water will continue to rush,
indistinguishable from the sea.





“Theory”
     – 11 November 2011

Someday I will kiss you
With absolute calm,
And it will feel like
peppermint oil:
clearing and guiltless,
almost too fresh
for my lungs.

      Someday I will miss you
      When you’ve come and gone,
      And it will smart like
      barbecue coals:
      weary and stilted,
      warm still in death,
      raising palms.

                  Someday I will wish you
                  Had known we were wrong-
                  paired, served a hard spike
                  back at my soul (
                  bleary with stillness; it
                  longs for your breath).
                  won’t you come?





{click here for melody}

"Dreamgirl" (song)
     – December 2011

I’m going to find my dream girl.
I’m searching all around:
           I looked through my apartment, but
My hand was all I found.

I’m going to find my dream girl:
They say she’s you’re best friend,
So I said, “Hey man, are you a lady?”
But he started to berate me; he said,
Dude, this has got to end.”

There’re just so many women:
I met one at a bar:
She let me see inside her,
Then she opened up much wider
           {vomit gurgle} –
I’m still cleaning out my car.

I went to church on Sunday
To see if she’d be there,
But the only one without a ring on
           Was a choir girl cling-on singing,
Heatheeen, not a prayer!”

                              ...Where are you, dreamgirl?

I took a class in yoga
To bear my chakra yesterday,
           But only one woman would talk to me:
Her name was “Namaste.”

So I went to an open-mic
To dance with swooning girls.
           But all their songs went, “Men! Are! Pigs!”
And they weren’t casting pearls.

I rode the public bus downtown
And smiled disarmingly,
           But all the girls just watched their shoes:
Avoiding gum – and me.

I got off at a dancing club.
All the ladies jived like bees:
I’d buy them shots of pollen,
           But their hives would come a-callin,’
So they’d shake their bum-bles and leave.

                              ...Where are you, dreamgirl?

I’m going to find my dream girl.
I've checked the bathroom stalls;
I wink if they’re good-looking,
           But the ladies all start booking
And they don’t turn when I call.

I hope my dream girl likes me.
The boys in jail all do:
They complement my eyes and
           They sing me lullabies, like,
Some daaay, your dreeeams –
Will come truuue…
uuu…uuu…
uue!”

Dreamgirl!!

34 comments:

  1. I noticed that this poem, "Color," focuses on the contrasting views of summer and winter with the use of colors. In the first line, there is a feeling of depression and lack of security since “in the life of winter -- that is white life, cold life” (Line 1). For me, the words like “cold” and “white life” made me feel like the winter was not welcoming. The color white brought about an emotion that left me isolated and lonely. Also, despite the surrounding to be white, there was a certain darkness to the whiteness of winter. I also noticed that while you were talking about winter in the first stanza, the sentences were becoming shorter and shorter. I thought this to symbolize the enclosure that some might feel during winter, like claustrophobia, hence the shorter sentences. I also thought this to mean that winter is discouraging one’s dreams -- also symbolized by the short sentences since “in the life of winter,/ dreams had no reason/ to think of anything” (Lines 6-8). However, onto the next stanza, you talk mostly about the bright orange carrot that reminds you of summer. This is contrasting the blank whiteness of the winter, automatically bringing about a friendlier mindset to the reader about another season. Adding to this fact, the lines in the second stanza become longer and longer, doing the opposite of the first stanza that mostly talked about winter. This to me, shows that the thought of summer is like a revival of the bleak winter. However, when examining the “dry carrot, I/ Found a small dark/ Dirt stowed away” (Lines 18-20). This seemed like the “darkness” of winter symbolized by the dirt was still inside the brightly colored carrot representing summer. However, “Its darkness made it great” (Line 21). From this, I took the message to mean that without the coldness and isolation of winter, one will never recognize or realize the greatness in other things. There has to be a winter, or a bad environment, in order to make you love the summer, or the good environment. I also related it to the yin and yang symbol because there was a little bit of bad in the good, showing that we all need balance in our lives. Lastly, I noticed that the shape of the poem is like a hump and looks like a carrot tip. I thought that this is symbolizing that life has its ups and downs, but all in all, life is enjoyable just like the carrot representing the summer.

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    1. Definitely a bit of yin-yang symbolism in the juxtaposition of orange and black/white (white light, black dirt, both the sum of every color).
      I meant this poem to be about reflection on childhood, about chasing back after old summer dreams and trying to draw them out again during the cold season (to find a way of being present & immediate, praying "to, and not over" the blessings in this life).

      But it's written in a very cryptic fashion -- meant to be emotionally evocative rather than spur any rational rumination ... so, I hope you enjoy for yourself whatever message you're finding in it.

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  2. Throughout the poem “Colors,” I interpreted the colors as representing different settings. I think that the references to “white” and “clouds,” in the first stanza can be interpreted as symbolizing Heaven. Although the narrator is in a utopian society, he is remembering and longing to relive memories of his past. Due to forces outside of his control, such as God’s will, the narrator is unable to leave but still dreams of traveling back in time and space to when he was able to live in the “orange” setting. I think that there is a theme of “the grass is greener on the other side” in the mindset of the characters. There is also parallelism between the narrator and the carrot’s situation. Both are far away from what they want and instead choose to live in their memories rather than participating in the world around them. However, due to situations that are beyond their control, they are forced to remain where they are. The carrot cannot go back in the ground, which is represented by the brownness of the dirt, because it has been grasped by a greater force: a human. This carrot picker is God, who has control over the carrot’s destiny. The carrot is also in a new heavenly place which is shown through the line saying “now she is in the sky”. To further convey this parallelism, the poem is written in a way that the first stanza is a physical reflection of the second (the syntactical format). It is also showing the cycle of not being satisfied with what you have and how it reflects the majority.

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    1. I'm guessing that you're either thinking of going into psychology or getting a philosophy degree (or you're aiming for seminary -- but that's so last-century) ... am I close?

      I ate a real carrot once, with a real piece of dirt. I looked up in the sky once, sad, and wished it didn't hurt. ;)

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    2. Haha I definitely am interested in psychology and philosophy but I am also considering international affairs and business before, possibly, attending law school. You are a skilled guesser.

      We had to read this book "How to Read Literature like a Professor," over the summer and ever since then I am seeing symbolism everywhere... :)

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  3. In the poem “Theory” I came to believe that it was about a man who is leading us through his love life. Like many poets, there is a reason why poets do everything. In this case, I think that there was a reason why there were three important and separate stanzas. The first stanza is describing his “honeymoon” stage of his relationship since he always wants to “kiss [her] / With absolute calm” (Lines 1-2). This is relating to their pre-relationship and how he loves her so much. The next stanza seems like this was after their break up. He states that with her gone, his insides feel like “barbecue coals: / weary and stilted, / warm still in death” (Lines 11-13). We can see the progression of their relationship in a bad way not only through the tone of the poem but also from the stanzas and how they are indented further every time. Next, the third stanza is the one that is the furthest indented representing the distance that has been created between the couple. To me, it seems like he wishes that this relationship never happened since their relationship “severed a hard spike / back at my soul (“ (Lines 17-18). I thought that it was so creative and unique to put the starting parenthesis at the very end of line eighteen and let it continue to flow to the next lines. I thought that this means that there was never any sort of disclosure in their relationship, and that was why the breakup was so painful to him. Finally, the structure of the poem as I said before is representing their relationship growing apart with the indented stanzas, but there is also a double meaning that I found. Although it represents something bad, it also symbolizes the progressive steps that the man is trying to take in his life that is away from this painful relationship, which is good.

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    1. Your analysis of the center is well-read ... you take into account everything but the title and the last line (which actually change the meaning of the entire poem quite radically).

      Bonus points to you if you can explain those parts B - )

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  4. The poem “Girls as Roommates” stuck me with brutal honesty and wit. Initially, the simple title emphasizes the simplicity yet mystery that nearly all girls personify. The first line of the poem is incredibly clever by saying that girls “will de-claw you”(1) meaning that girls have the capability of making people, more specifically men, vulnerable. Additionally, the narrator addresses men by informing them that “women speak with their silences”(4) which confirms that this poem is meant for a particularly curious male audience. It is also important to note that the rhyming is modified after the first stanza to an AABB stanza rhyme scheme. In my opinion, the consistent end-rhymes symbolizes the predictability of girls’ personalities and idiosyncrasies. The second stanza begins to reveal the narrators cynicism towards girls as roommates. In the second stanza, the narrator explains that girls “speak their minds like running drains”(7). Symbolically, “running drains” represent the unwanted annoyance of water(or in this case an opinion) that ceaselessly continues to pour out. Carrying on into the next stanza, girls are accurately described as using “each others’ eyes as mirrors”(12). This means girls value other girls’ perceptions of themselves more than their own. Unfortunately, line 12 is exceptionally accurate. The fourth stanza illuminates how girls speak poorly of other girls in their absence. Finally, the last stanza warns “you may not be struck, but you will be blown”(20) which is a warning to men that women strike with heft not “stone”(19). “Girls as Roommates” offers a realistic and honest male perspective on female behavior and reactions.

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    1. Well-read (with the exception of women striking with "heft" ...
      Both men and women strike with heft: women's like wind, men's like stone)

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  5. For me, the poem “I Used to Think that Way” described the change in lifestyle and mindset of all people from when they are young as compared to when they become parents. The first stanza sets the scene with an old man and his sons. The second then describes all that he has given up for his sons, by comparing his current life to the one he used to have. The word “sake” is repeated, to reveal all the man has given up for the others around him. The lines go on to describe the adventure and freedom he had in his life. There is a reference to someone name Ansel, who could possibly be Ansel Adams, since he was a photographer that took black and white photos of landscapes, which would fit the scene described in that portion of the poem. This reference may be included to reveal how exciting of a life the old man had in his youth, and the hope and promise he had for a successful future. The “dirt porch” and “unfilled boxes” seem to describe how the old man is now poor, and has few of the things or hope he used to. In the last stanza the old man says he used to think “only presence is mine”, demonstrating how he used to be the only person he had to worry about in his life, as he had no one else. Even though the imagery used to illustrate his prior life at the end of the second stanza describes how interesting his life used to be, the last two lines of the poem reveal how this way of thinking cannot last forever in someone’s life, and as everyone grows older and more mature, they must realize that other things and people are more important than themselves and their own happiness. Even though the old man has less freedom and choice in his life, he has others who care about him.

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    1. Well-read ... the 'old' man never says anything past the first line of the poem, though: that last quote is supposed to be the line that the speaker first said, which prompted the response from the 'old' man (old's a state of mind)

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  6. I really enjoyed reading “Dreamgirl” because of the varying emotions it illuminated within me as I read it. I felt many different feelings including sorrow, empathy, humor, and hope. After each example of women rejecting you or whomever is portrayed as the subject of the poem, I couldn’t help but feel sadness for the man, as well as hostility toward the women who act in such a way. However, despite the loneliness and rejection the man feels, I could sense sparks of hope through certain lines. In the third stanza, the man states he was getting to know a woman in depth, but the woman “opened up much wider [...] I’m still cleaning out my car” (13-15). I’m not entirely sure that these last lines were meant to be humorous, but I began to giggle a bit because I wasn’t expecting that sort of result. This slight humor displays that the man isn’t completely in denial at the fact that he can’t find his dream girl. In addition, the first line of the second to last stanza, “I’m going to find my dream girl,” illuminates the confidence and hope that the man still has for finding his desired woman. I also feel a sense of understanding for what the man is experiencing; I have felt rejection from people and frustration after trying to achieve something that will never go my way. On another note, I liked the repetition of “...Where are you, dream girl?” because it reinforces the man’s efforts and desire to find the one. I also noticed that the fourth line of every stanza was indented, and I gathered that each of the indented lines displayed the negative shifts of each experience. But ultimately, I hope that the man has found his dream girl or hasn’t given up trying. :)

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    1. Dramatic irony -- "in literature, a plot device in which the audience’s or reader’s knowledge of events or individuals surpasses that of the characters. The words and actions of the characters therefore take on a different meaning for the audience or reader than they have for the play’s characters. This may happen when, for example, a character reacts in an inappropriate or foolish way or when a character lacks self-awareness and thus acts under false assumptions." Encyclopedia Britannica.

      This man is driven by obstinate hope. By the penultimate verse, it has driven him to chase women into the bathroom. By the last verse, he is in jail, still crying out for his dreamgirl. I'm glad that you still hold out hope for him, though. One never knows...

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  7. Your poem “I Used to Think that Way” stood out to me because of the multiple points of view. It starts out with and old man remembering his past and thinking, as many grandparents do, of how his life was when he was his grandson’s age. The poem then seems to change perspective to a third viewer, possible the old man’s son, who watches his father. The new speaker observes, “his mother’s pastels on the wall/ (her brain fading)” which suggests that the speaker’s mother and the old man’s wife has alzheimers and no longer remembers them, but her painting and their memories still remain. Old age has taken her away from the family but “sketches unframed in the halls/ (boys’ creating)” brings a sense of hope as the next generation thrives and life goes on. This seems to symbolize the circle of life, as the grandma’s painting fades, new art is being created and has great potential. The old man has “black-and-white photos/ (from a life he’d had prior” which suggests that he has lived a full life and is happy to be able to share what he has learned with his son and his grandsons. The poem ends positively and the speaker says, “‘Life is my currency: consciousness, time-/ I spend it; I live”. Although I’m not sure who is speaking the last lines, the speaker coneys a sense that old age is what you make of it, and the old man chooses to spend his life “currency” having fun and not being weighted down by a number, or his age.

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    1. The speaker is conversing with the 'old man' -- these are the only two characters present in the poem. The fact that the 'old man' has sons who are still boys is meant to imply that he is not so old in life-seasons as he sounds in his resigned perspective.

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  8. I found the “Girls as Roommates” poem to be a very interesting and introspective poem filled with light humor and insight into the nature of women; ironically it is written by a man. Nonetheless, the societal observations made by the male speaker is more observational rather than scientific. The reader can immediately tell the speaker has a very personal relationship with women from context of the first sentence, “Girls as roommates will de-claw you,” the speaker writes. The speaker has subtly exposed his audience to a past experience in which he was “de-clawed”, emasculated or found with little or no defense, by woman. In the last sentence of the first stanza the speaker embodies a warning tone, specifically telling his male audience to take heed of the idiosyncrasies of women unknown to them . “For women speak with their silences, men,” the speaker writes.

    The narrator of the poem has yet again exposed another personal interaction with women by stating that they “laugh to prove communication”, insinuating that he has been on dates in which he noticed how the laughter of his date was used to expose an affinity towards him. The verbiage “prove” is relatable to the readers.Most people are aware that when they meet others their representative is present. In this case the colloquial term representative is used to define the person that people become when they are around others; we are never always kind , yet the when we meet someone for the first time they are extremely kind.

    As the narrator concludes with the final stanza he returns to the heeding tone of the poem he began with. He tells his reader “You may not be struck, but you will be blown.”; blown by the forceful power of a woman in the manifestation of wind. In the last stanza he admits that every man is affected by women one way or another. There is a sub-textual acknowledgment of the divinity of the women.

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    1. " Women laugh to prove communion; Cook, then sing, then sigh in union..." ---> "insinuating that he has been on dates in which he noticed how the laughter of his date was used to expose an affinity towards him."

      ? Where do romantic dates come in -- or even the man's active presence -- in that stanza?

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  9. I really like "Theory" because its subject matter is incredibly relatable. It discusses a longing for a relationship, something that most everyone has experienced. However, the longing is a melancholy one because the speaker realizes the futile bitter ending that most relationships experience. The three stanzas indicate three different stages of longing: hopefulness, nostalgia, and bitterness. In the first stanza, the speaker is optimistic, longing for bliss with his lover. The speaker says that the kiss will “feel like peppermint oil.” This is an interesting comparison because it invokes the sensory images of the initial biting scent of peppermint which then changes into a warm, inviting smell as the nose grows accustomed to it. This is analogous with a kiss, as at first it is unfamiliar, then becomes sentimental. In the second stanza, the speaker compares his lover’s absence to “barbecue coals” (11). The initial pain of touching burning coals is sharp and severe, just as the initial repercussions of a breakup. However, the person who has touched the figurative coals is left with welts, or “raising palms” (14) because the pain lasts for a while until the wounds can heal. Finally, the third stanza has an angry tone. The speaker feels that the object of his affection has stabbed him in the back, or “served a hard spike / back at [his] soul” (17-18). Though he had once craved a relationship, he now feels the repercussions of the breakup. His positive emotions have turned into those of bitterness, something that many people can identify with.

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  10. This poem striked me abit. While, I agree with some of it, I find it a very one sided view of women. The first line that a female roommate will “de-claw you” I find interesting, as It is human nature for a man to be dominate but I also don’t think that a generalization in that living with a woman will take away your power or masculinity as claws to me, are an image of strength and power. However, as a man who has more friends that are women I find the last stanza hysterical because it’s true. “there heft’s like wind not stone” I think this is the one instance when I will agree with the man vs women stereotype because it’s true how when a man is upset he’ll face it on and then be done with it most often, like if a stone were too hit something it would hit it and that’s it. But with a women’s heft being compared to wind shows how everyone feels the effect when a girl is upset because she’ll let it be known to everyone in someway, just as how wind touches everything when it’s blown even though somethings don’t feel the direct effects of the wind, the wind is still passing by them.

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    1. I take great pains in my writing to be nuanced and represent things fairly.
      This poem is not slighting women, not even in the example where you take issue -- note HOW women are described as de-clawing men: because they "Dramatize your world and never Realize your silence is not judging them (For women speak with their silences" ... this is not an indictment, but a description, based on ample experience.

      Women are, by and large, not masculine as a social group. And that rubs off. Lock yourself in a room with 5 women for 3 months and then you can debate me on this.

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  11. I really liked the song “Dreamgirl” because of its humor, and also because of how applicable the message that I took from the song is to our society. It seems as though in this day and age, with around half of marriages ending in divorce, finding that perfect “dreamgirl” is getting harder and harder, and this song was a good analysis of that problem from both genders, not just the man’s side. I definitely laughed when the man “looked through [his] apartment [for the girl], but/ [his] hand was all [he] found” but although it was good for the laugh, its meaning goes deeper as there have been all sorts of studies trying to link… that… with problems in relationships. Later on in the song when the man talks about his experience at the bar with the girl who “let [him] see inside her”, I took it to relate to how the courtship process has changed. In the past, finding a girl involved an elaborate, almost ritualistic, process in hopes of finding a long-lasting relationship. Recently however, it appears that both sexes are more focused on finding one night stands than finding real relationships, which accounts for the increase in failed marriages. It also tends to ostracize people like the narrator in this song, because while they search for that “dreamgirl” all they find are girls afraid of commitment. The poem also addresses feminism, and what I view as the irony of the movement, because they want men to accept them, yet they often do so with accusations and harsh words, such as “Men. Are. Pigs.” which is demonstrated in the song. The end of the poem also illustrated the transformation of the poor narrator, as he went from a fairly innocent guy just looking for love to a creepy guy hanging around bathrooms and essentially stalking women. He may not have even realized the transformation. It may have just happened out of sadness and desperation. But the fact that it did occur definitely says something about the power of our society and the bad path we seem to be on.

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    1. You make good points; don't be too quick to hide behind hints and hedges: YES -- pornography has had a clear and problematic effect on young men's, especially, view of sex and relationships (not, just to be clear, masturbation -- which often even remains a part of healthy relationships). And YES -- courtship used to be a more formal and some might argue respectful ritual; it's still a ritual, but often a much more casual, undedicated, and superficial one.

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  12. “Girls as Roommates” was really interesting in my opinion because it outlines all of the hypocrisies that define the female gender, and it also taught me a few things. First off, the whole “women speak with their silences” part concerns the hell out of me, because I never figured that out and have probably screwed myself over plenty of times not understanding that. I liked the use of simile in the poem, especially the line regarding how women “glom like black ants under rain”. The image it evokes is incredibly accurate and I’ll definitely be thinking of this analogy next time I see a huge crowd of clamoring, gossiping girls. I’m not sure if this was intentional in writing, but I also took the use of black when describing the ants to reflect how nothing good generally comes from a large group of talking women. The next two stanzas are spot on in their analysis of how hypocritical females are, and I especially liked the comment on how much girls complain over the attention they get from men, yet if you see a girl out on a saturday night, she is dressed in such a way as to attract said attention. The last two lines were very poignant, because of the truth they hold. Women tend not to act outright (the stone in the comparison) yet the weight of their words (the wind) hits you just the same.

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    1. Read their faces. You'll know when their not saying something IS saying something. And then ASK -- always ask. Then you've covered your bases by being attentive and concerned.

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  13. re: "Girls as Roommates"
    Some of these observations about women I find ring so true, the fact that women have a way of communicating between one another with just a look, and how we have a tendency to speak our minds. This poem presents the ugly and beautiful truths of how women behave, and at first I was a little offended and felt like some of these were unfair generalizations and personal opinions. Upon closer inspection it’s clear that these are purely observations without any judgement being passed, organized into a poem with rhyme and figurative language that feels like a dedication to the good aspects of what it means to be a woman or live with them, while pointing out the aspects that you may have encountered that seem hypocritical to other parts of our nature. One moment we’re speaking our minds, the next we keep our opinions to ourselves until someone we have an issue with is absent. It bothers me too that women, even myself, can act this way. I wish we didn’t, but it seems that our nature, as you point out, is to avoid confrontation, speaking “with their silences,” which in a way is more powerful and hurtful. Reading this poem is a different experience from other writings about female behavior because it comes from a male perspective and is so spot on. I have mixed feelings about it, I do like it a lot, but like I’ve said, it contains the ugly truth of how females act and it’s hard to admit that to myself. There have been so many instances in my life where women, myself included, have used passivity to relay their anger instead of being upfront and confrontational. It’s an interesting part of female psychology thats definitely worth examining and this poem really made me think about it.

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    1. I'm glad that you were able to stay open to it -- and see it for what it is. Women are wonderful, and silly and vulnerable and sweet and harsh, just like men (but in very different ways).

      And there will always be women explaining women, and men explaining men, for the opposite gender (but these accounts, by their nature, tend to be apologist or defensive) ... and there will always be women and men who "know exactly" what the other sex is like (but that kind of confidence comes only with ignorance and stereotyping).

      So I figured I'd put in the effort to be honest and balanced in my account, based on my experiences. Because, like you said, if it can help people to admit and accept what is true in their nature ... there is power and peace-of-mind that can come from that. Thank you for giving it an open ear.

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  14. I really enjoyed “Theory” as it presents a more realistic approach to a relationship compared to most that are presented on TV or movies, and even other poetry. The first stanza introduces that fairytale image of that perfection in a relationship most desire but then as it moves into the second and third the imagery becomes less pleasurable like barbecue coils and a spike expressing how everyone desires for that perfect fairytale romance but what I took from this is that because we build up this fantasy we are often disappointed. Not everything is perfect and when we fantasize something so much the let down becomes even more painful. Also when you say that “served a hard spike back at my soul (bleary with stillness; it longs for your breath).” are you trying to say that even though the end of the relationship was so painful but yet the speaker still craves that love by still longing for her breath?

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  15. “Theory” stood out to me because of its truly relatable subject. The poem allowed me reflect upon my own life and the relationships I have with those surrounding me, and it made the falling out stage so much more clear to me. It’s hard to admit out loud that something is going to end because you know so badly how much you don’t want it to. Knowing that there is going to be an end and trying to survive knowing that there is an expiration date makes it all the more hard. The poem clearly and precisely lays out the three stages of a relationship: the honeymoon phase at the beginning when everything is new and exciting, the ending full of tiredness and sorrow, and the developed bitterness of the aftermath.

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  16. When reading the poem “Theory”, I didn’t pay much attention to the title as I went directly to reading and analyzing its content. I recognized the progression of a romantic relationship that began in the “honeymoon” phase with kisses left and right and then slowly transitioned into a break up due to the utterance of the fact that “we were wrong” and that they had “severed” by the end. Then, realizing that the title of the poem was “Theory”, I realized that the whole poem had actually been about a futuristic relationship that the author was solely imagining and craving to some level from the last line’s “won’t you come?”. I have definitely experienced that sense of yearning for a successful relationship and a person to always rely on, so I can definitely relate to this true desire for love and passion.

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  17. The movie “Dreamgirls” was one of my favorite movies of all time, so I knew I had to read this one right when I saw its title. After reading the poem/song in its entirety, I realized how spot-on it is. The constant search for that perfect someone is difficult and it takes a mature person to realize that one day that perfect person will come, someone that is intellectual, someone that is down to earth, and someone that fulfills our wildest dreams. Patience is key and avoiding the urge to “settle” for someone is important as well. I loved the humorous moments in the song that lightened the semi depressing mood and enjoyed a few giggles here and there like when the woman at the bar “she opened up much wider” and then the reader realizes she vomits...contrary to the expected action.

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  18. In “Girls as Roommates”, a male speaker makes general observations about women. He notices that women gossip mercilessly about their friends who are not present, but they stop as soon as they notice their friends returning. Despite this, the speaker concludes that women do indeed love and care about each other.

    I liked that this poem addressed both negative and positive aspects of female interactions. It is true that girls can get catty, as the first line says, “Girls as roommates will de-claw you.” The word “de-claw” suggests viciousness and the way that girls can tear each other down with their words. However, it is also true that female friendships are often very close, as lines 17 and 18 say, “Of course, they love each other, too. / And eat, sleep, breathe, as brothers do.” Girls may not always be nice to each other, but they are capable of forming sister-like friendships the way boys create brother-like friendships.

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  19. I really enjoyed reading the poem “Colors” because it made me reflect on my childhood and brought back many fond memories. Recently, I’ve been thinking a lot about my childhood as I am heading into adulthood and going to the opposite side of the country for four years of school. This poem helped me realize how important it is to remember where we came from because I believe it determines so much of who we are as people.

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  20. What particularly struck me out of this writing was the speaker's attitude towards his situations throughout the course of the song. He remains positive and resilient after he, for lack of a better word, fails, to find his dream girl. Even though he is searching for a companion, the speaker does not demonstrate any signs of negative emotions or thoughts such as desperation or frustration, especially since he continues to look for women in different places. I found "Dreamgirl" interesting and unique from other pieces of literature that have a similar topic because the overall atmosphere and feelings that I felt from reading this through were much less harsh than I would have expected, after having read poems with similar topics with a more heavy and dissatisfied tone.

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