Thursday, March 30, 2023

At the End (come the plow) ...



What would matter,
when     taking a life:
if    handed a   hatchet  and
told,          “This needs to be done.”

Of course,                            swiftness matters;
striking deep,         bleeding quick.
But                      past that,
one thing matters. One:


Where is your heart
when its blood drains, when
conscious          goes black? That is
our last gift                  in life:             the passing.

And if I'm       there, holding
flesh when it cools, then
I want to lower you
resting,   not     crashing.


I won't care            about                  “justice”           then,
or vengeance or    punishing    shame.
I'll care about life, when life I take—
not how you lived before—
                   how you end today.

Life is ever only a single-sighted folly;
Death, often pressed on bodies craving to be.
So, to kill kindly, I'll melt your and my distractions—
so we're see/hear/smell/touch/tasting—before I send you away.


Which raises, in my passing,                                    what would matter to me?
I dream I would call on all of my days,
and drink one last time every smile I can see,
every call to my ear, every         warm kiss        on skin,

surprise scent on breeze, and tingle over tongue.
Then I would return—to be here, to be now—
If I were the worm, and you were the plow
                                                                pressing in.


Ending a life is,     a simple    basic deed:
let out enough blood,      keep out enough air,     or
cut enough connections that a center
un-spools     its bound-up nest      of will.

And simple,     what that brings:            a dreamless rest?
A dissolving latch      
between eye
and vision,
    lung and 
           breath,
       muscle and 
                strength, 
 neuron-banks      and
                                           a 'kill.'

2 comments:

  1. This poem's perspective on the value of life and its end seems very interesting, and I think I enjoy this tender approach. In the day-to-day bustle of modern life many of us get very caught up in all the things there are to do in life as well as what society deems desirable. Death ends those things, and these are the things we imagine mourning if we even take time out of the day to think about that faraway-seeming end that is death. However, this poem focuses more on the current moment, on all the grounding sensory stimuli to be taken in those moments before death and the special ones taken in far before. It brings death to the forefront of the mind, so real and perceptible, yet it is not really sad. Maybe a tad melancholy, but its central emotion is not particularly negative. Rather, you focus more so on the treasuring of life in the final moments you get to enjoy it, and I adore this framing of our final moments. Something else I found interesting was the first portion of the poem, where you emphasize the tenderness with which a life should be taken, if it has to be done. The emphasis on bringing a gentle death rather than adjusting your level of cruelty based on the subject's past is a take on life that I do not hear that often, and I think it reflects a unique respect for life itself. The sympathy of the "executioner" to the "executed" also creates a warm feeling of understanding that I think underlies human kindness itself, and it gives the whole poem a warmhearted feel, despite being about a subject as cold as death.

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  2. I’ve never thought of death as an experience with value in itself; that the act of being killed (dying against one’s will is being killed) can be kind, or that blood draining out can be our last gift in life. I guess “the passing” is not something that is inherently good or bad, but I tend to think it’s bad. Probably because it’s undesirable to me. When you ask, “what would matter to me?” in your own passing, I couldn’t understand why someone would think of all the good memories and pleasant sensations just to return to the present, where the now is death pressing in. That is until I saw your explanation of ending life as this very physical conjoining of the body and bodily functions. The dissolving latch is as if the two sides of our being, the physical body and the life inside that body finally have access to each other. This is so exciting that you don’t want to miss it. Especially if it’s the last thing life can offer. And then who knows if afterwards is just dreamless rest or some spools of will floating around. It’s weird to think that under all my skin and flesh and blood, there is a spool of will that might be left behind.
    The bright red splatters in the center of the collage caught my attention immediately, because it looks like blood. However, it took me a while to make sense of anything else, and I have decided that there is a chin and lips, and that a tube is being injected into the chin from a clay hand. I see a grosser depiction of the nature of death: the clay hand, the headless body in the position that everyone starts out in, the eye with all its complex parts, worms, and chapped lips. It makes “the passing” intriguing. It makes me think there is value in going through it, even if no one really wants to.

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