Thursday, December 10, 2015

The Vortex...

{Image to come}


Debating shoes was pointless – we were both in bare feet –
but it was fun to make dilemmas for solving:
I heard echoes of her challenges whoosh past my eyes
beneath the hum of my bike-tires revolving.

And really I just wanted to argue again,
              “Let's have lunch.”
She agreed,                               “The cafe,”
and at five-after-two called            “I'm here, where are you?”
from a patio ten miles away.

After this crash, then that crash, I learned to be far;
just to listen and believe she was good.

Every fist fracture, cracked rib and stiff scar she showed me
was an alien – aged, understood
only barely in my daylight (she was inked, sun-cooked, upright;
I was unbroken, shade-white, and falling
through firsts, and then nexts, and then more firsts with her).
Does she feel alone when she's calling;
when she talks at my eyes and they stare back for weeks.
            “Does their silence mean
                         judgment?”Oh, darling –

                                                                    “For all that they know,
                                                                    you began a black hole—but
                                                                              their opinion of you is evolving.”

2 comments:

  1. * “Vorticism was a short-lived modernist movement in British art and poetry of the early 20th century. It was partly inspired by Cubism. The movement was announced in 1914 in the first issue of BLAST, which contained its manifesto and the movement's rejection of landscape and nudes in favour of a geometric style tending towards abstraction. Ultimately, it was their witnessing of unfolding human disaster in World War I that "drained these artists of their Vorticist zeal". Vorticism was based in London but international in make-up and ambition. … Though the style grew out of Cubism, it is more closely related to Futurism in its embrace of dynamism, the machine age and all things modern (cf. Cubo-Futurism). However, Vorticism diverged from Futurism in the way it tried to capture movement in an image. In a Vorticist painting modern life is shown as an array of bold lines and harsh colours drawing the viewer's eye into the centre of the canvas.
    The name Vorticism was given to the movement by Ezra Pound in 1913, although Lewis, usually seen as the central figure in the movement, had been producing paintings in the same style for a year or so previously.” - Wikipedia

    “I.
    1. Beyond Action and Reaction we would establish ourselves.
    2. We start from opposite statements of a chosen world. Set up violent structure of adolescent clearness between two extremes.
    3. We discharge ourselves on both sides.
    4. We fight first on one side, then on the other, but always for the SAME cause, which is neither side or both sides and ours.
    5. Mercenaries were always the best troops.
    6. We are primitive Mercenaries in the Modern World.
    7. Our Cause is NO-MAN'S.
    8. We set Humour at Humour's throat. Stir up Civil War among peaceful apes.
    9. We only want Humour if it has fought like Tragedy.
    10. We only want Tragedy if it can clench its side-muscles like hands on it's [sic] belly, and bring to the surface a laugh like a bomb. (pp. 30-31)” - from the Vorticist Manifesto, BLAST magazine, 1941 (http://lib.byu.edu/exhibits/wwi/anthologies/manifesto.html)

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    Replies
    1. ** Let me be clear, I in NO WAY support the VORTISTIC philosophy: it is cannibalistic, corrosive, and fortunately digested itself before it ever latched to the brain-stem of some fascist regime or other. I think Ezra Pound may have realized this in the end (that's why he stopped talking). My POINT is that this strange and divisive-seeming cycle of tumult is a natural starting place … confusion, prickly unknowns, fear and doubt and violent diverging pulls. We are young; we grow together. This is the nature of maturation. (The vortex is “adolescent clearness between two extremes,” primitive, desiring humor but coming first through tragedy – necessarily – to get there. It gets better, stronger, wiser: I promise … and hope.)

      My (kinder) personal version of vorticism came to me in high school, when I wrote the line, “Unless they are discontented, they will never change.” I still believe this; that discontentment is a positive force, spurring us to action, growth, timely pursuits of purpose and dogged efforts toward progress.
      Mortality unsettles us, but makes things precious and rare.
      Hunger pains us, but awakens our senses.
      Sorrow weighs us down, but stirs our desire and appreciation for communion.
      We will change. And that is good.

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